Editor1's blog

Thomas Lehner -Los Refrigeradores - Hot nights, cold fridges

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Cuba on ice ? Naturally it´s served in cocktails at the beach bar ? But for the island's residents, keeping things in a cold, solid state is a matter of survival and constitutes a daily struggle. The Chinese brand Haier is dominant in Cuba. In the 1920s, a refrigerator factory was built in Qingdao, China to supply the Chinese market. In 2006 Haier shipped 300,000 fridges to the island.

Wie -yie Lauw - Nomansland

What is there to be forgotten?How do
you want to be remembered? Who will
remember you?
„Nomansland“ is based on memory trac-
es connected through time and space.
Wie-yi´s memories are deeply woven
within her multi cultural backgrounds,
which are rooted far back to China. Car-
rying different nationalities and heri-
tages in her, China triggered her curios-
ity to begin her journey in search of her
identity.
By reconstructing her fictional timeline,
she goes back in time filling up blank
spots with found photographs shot by

Heimo Lattner - The Last Picture (afterthought)

Previous works have traversed the density of the urban, whilst en-
abling specific experiences of the local. He engages audiences in
the process of viewing and listening (discovering, exploring…).
Considerations of space are at the heart of his questions concern-
ing politics in a sense that space can be both a reflection of a po-
litical atmosphere as well as being a site for which to extend politi-
cal ambitions.
He has been involved extensively in
mapping areas and constructing vi-
sual and text based “narratives” con-
fronting the specific sites of inquiry. He

Anna Hofbauer - Gehäuse enclosure b/w photo series

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Here performative photo series Gehäuse (enclosure) presents a choreography of changing shapes built by the artist’s arms over here head. . .

Mike Hentz - Chinese Trilogie

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More than 30 years ago I started out with paintovers. I used books or catalogues of other artists and converted them into my private everyday life workbooks, they got a new coinage. I appropriated them, gave them a more personal identity, with my diary registrations, notes, drafts, addresses and collages, they became art objects.