Editor1's blog

Window as open to the world is the object of contemplation and reflection. The window is situated between two spaces inside and outside, which cuts at the same time to connect these two areas. View outside the window from the inside of the house, has led us to reconsider what we know see from inside ourselves and that we agree to let our universe. Internalizing the externality and externalization of the inner two existential moments that make up a large part of the experience.

Production hands is a reflection on my visits to manufacturing facilities in China in 2008. I identified the distinct ability to withstand repetitive labour within the structure of the Fordist division of labour.

Probably a phenomenon of the surprise myself is one of reasons I do art at all. Some things are held apart from the thinking, and even though I think incessantly, although I am setting myself the entire slew of questions and still I don’t know …”where everything aims to”? Is reality cognizable? What it is? What is an effective method in reaching to for one border? Is transcendence touchable at all? Whether if not for the inevitability of death, whether we would like to get to know?

These photographs are fictions. The figures within these scenes were selected from hundreds of frames shot of each location. By selectively adding and removing characters from my compositions I craft narratives that straddle the line between fact and fiction. This process opens the work to a tremendous amount of decision-making opportunity, allowing for the creation of a personal vision of the world that would otherwise be unattainable in a single photograph.