This series of digitally constructed imaginary landscapes are based on photos I took in China in places I also called my home at the time. The pictures have two different layers. I took photos of local people in everyday scenes, for instance, walking along the Yangtze River at places where they like to be, doing what they like doing. My aim was to depict the shapes of our everyday movement and existence.
Artists
Marianne Csaky
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Yu-Hsiang Cheng
I have developed a series of works that created with LCD monitor . By the monitor’s light-emitted principle, i tried to interrupt the electric field between it’s “upper glass layer” and the “ liquid conducting layer” with my painting gestures, changing the spectrum to create new images.
I tried to create new creations by touching the illuminated hot screen monitor with my painting movements. The painted canvas screen combined the re-filmed video contents,becomes a new image field.
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CHONGQING JELLYFISH Designers Hao Tian, Huang Haiyang, and Shi Jianwei
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FANTASMAGORIA OF CHONGQING ARCHITECTURE, POLITICS, FICTION by Célia Picard and Hannes Schreckensberger
Following our fascination how a city is a construction of an expression of human nature, dreams and projections, this critical research-based project goes far beyond an ordinary urban study. We looked for the genesis of the state of mind, for the mythologies and most of all for the phantasmagories that inhabit the young megacity Chongqing in south-east China.
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Anita Steinwidder, Jasmin Ladenhaufen & Xinyuan Zhenglu
With this outcome STEINWIDDER defines her own comprehension of „remade-fashion“: dissectioning and stringing together of used clothing is not only done with the aim to create new designs and functions, but primarily to develop relief-surfaces, textures and graphical-elements.
STEINWIDDER focuses on processing of ”same-type-clothing“ (socks and stockings) and uses this basic material for various transformation processes.
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